你的心里是否住进了这样一个孩子??他可爱,纯洁,调皮,外表邪恶,内心善良.你对他没办法,但是却总觉得,离开他,你的生活会失去很多乐趣.
我的心里一直有着这个孩子,分裂着我的欢笑,我的眼泪,他一直在探测着我道貌岸然的为人师表底下,究竟有着怎么样的不安分.哦,我的Tom Sawyer!哦,我的不安分的灵魂!
牛津英语8B的Chapter 6的阅读部分是The adventures of Tom Sawyer ,改编自Mark Twain的原著.
Mark Twain一直是我钟爱的美国作家,他的文字幽默,辛辣,一针见血.Heminway曾经评论他道:Mark Twain brings the real American literature.这个评价应该是很高的了.
我看过他的很多作品,但是惟独没有Tom Sawyer.理由很简单,这部作品是以一个儿童的口吻来叙述的,而且是写给儿童看的.因此,对于那时还在大学象牙塔里的,一心想要扮大人的我来说,真是不屑一顿.
而这次,因为教学需要,于是特意在61儿童节那天,很认真的把这本书的原著阅读了一遍,也算是给自己的儿童节礼物啦!合上书本,我立刻爱上这个名叫TOM的小男孩!
《The adventures of Tom Sawyer》描写的是以汤姆为首的一群孩童天真浪漫的美国式生活.他们为了摆脱枯燥无味的功课,虚伪的教条和呆板的生活环境,作了种种冒险来改变自身的处境.其主人翁汤姆是一个有理想有抱负也有烦恼的男孩子,一个十足的顽童.他叛逆,在他心目中,强盗是劫富济贫的英雄好汉,于是,"西班牙海上黑衣大盗","血手魔王","海上霸王",都是他向往的头衔.他顽皮,在主日学校,总是惹老师头痛,"问题"多多.周末被罚刷墙,竟让别的男孩自愿成为他的"俘虏",而且自动奉上谢礼.他正直,去墓地探险,他目睹一起凶杀案,在无辜者即将遇难时,勇敢地站出来指证真正的凶手.他勇敢,去郊游,不仅救了自己和小伙伴佩琪,还找到了真正属于自己的宝藏.
汤姆·索亚的所作所为,已经远远地超出了一个孩童所能经历的一切,在汤姆的身上我们能看见许多人童年的幻想.
8b的课文里节选的是Tom被罚刷墙壁的这一段,也是我最喜欢的部分.于是我上课时,不禁一直花痴般的赞扬了我的Tom,并期求着我的所有学生能够象我一样爱上TOM,心中永远住进一个充满童真的孩子,一段丰富精彩的不留遗憾的童年.而结果是, I did it!这个单元的讲课效果特别特别好.
感谢我的Tom sawyer,让我 拥有那么饱满的激情,让我再次年轻!
本来答应把这部名著改编的电影给学生播放(学校刚安装了多媒体,学生兴趣都很浓厚),可是后来考虑到期末考试要到了,时间太紧了,于是只节选了10多分钟的片段.
我选的是我的TOM谈恋爱,求婚的片段.毫无疑问,这帮发育期的小毛孩很感兴趣.其实TOM的这段经历真的也谈不上是什么爱情,只不过是一个7岁的男孩对一个新转来的小女孩有好感,于是很MAN的为她挨老师的骂,最后博得她的好感.但是TOM最可爱的一点是,他居然在两个人第一次见面时就向她求婚,而且还说漏嘴,说自己上个月刚向另一个女孩子求婚.
我在想着刚刚进入的成人世界.爱情简单却又不简单.想要的其实不多,但不知道怎么表达.在患得患失中,已经失去了太多.因此,被迫继续将单身进行到底.
一个人的时候不孤单,想一个人才孤单.
羡慕TOM,可以毫无顾忌的去做自己心里所想的事情.TOM的"爱情".简单而纯粹,干净而透明.
在结束这个单元的学习时,我给学生写下了这样的一段话:
压抑的太久,让我们来为有人实现梦想中的自由而欢呼雀跃.
我们是孩子.想象是我们亲密的伙伴,梦境是我们达成心愿的一条捷径.
谁拥有一个妙趣横生的童年谁就拥有了世界,并可以让我们留恋忘返!
汤姆!汤姆·索亚!
——马克·吐温笔下的小机灵,全世界少年儿童的亲密伙伴.
最后附TOM Sawyer刷墙的原版文字,将欢笑送给你,相信你们也会爱上TOM,也会在心里为纯真的童年留下一个大大的位置/.
The Adventures of Tom Sawyer
Chapter 2
SATURDAY morning was come, and all the summer world was bright and fresh,
and brimming with life. There was a song in every heart; and if the heart
was young the music issued at the lips. There was cheer in every face and
a spring in every step. The locust-trees were in bloom and the fragrance
of the blossoms filled the air. Cardiff Hill, beyond the village and above
it, was green with vegetation and it lay just far enough away to seem a
Delectable Land, dreamy, reposeful, and inviting.
Tom appeared on the sidewalk with a bucket of whitewash and a long-handled
brush. He surveyed the fence, and all gladness left him and a deep
melancholy settled down upon his spirit. Thirty yards of board fence nine
feet high. Life to him seemed hollow, and existence but a burden. Sighing,
he dipped his brush and passed it along the topmost plank; repeated the
operation; did it again; compared the insignificant whitewashed streak
with the far-reaching continent of unwhitewashed fence, and sat down on a
tree-box discouraged. Jim came skipping out at the gate with a tin pail,
and singing ~Buffalo Gals. Bringing water from the town pump had always
been hateful work in Tom's eyes, before, but now it did not strike him so.
He remembered that there was company at the pump. White, mulatto, and
negro boys and girls were always there waiting their turns, resting,
trading playthings, quarrelling, fighting, skylarking. And he remembered
that although the pump was only a hundred and fifty yards off, Jim never
got back with a bucket of water under an hour -- and even then somebody
generally had to go after him. Tom said:
"Say, Jim, I'll fetch the water if you'll whitewash some."
Jim shook his head and said:
"Can't, Mars Tom. Ole missis, she tole me I got to go an' git dis water
an' not stop foolin' roun' wid anybody. She say she spec' Mars Tom gwine
to ax me to whitewash, an' so she tole me go 'long an' 'tend to my own
business -- she 'lowed she'd 'tend to de whitewashin'."
"Oh, never you mind what she said, Jim. That's the way she always talks.
Gimme the bucket -- I won't be gone only a a minute. SHE won't ever know."
"Oh, I dasn't, Mars Tom. Ole missis she'd take an' tar de head off'n me.
'Deed she would."
"She! She never licks anybody -- whacks 'em over the head with her thimble
-- and who cares for that, I'd like to know. She talks awful, but talk
don't hurt -- anyways it don't if she don't cry. Jim, I'll give you a
marvel. I'll give you a white alley!"
Jim began to waver.
"White alley, Jim! And it's a bully taw."
"My! Dat's a mighty gay marvel, I tell you! But Mars Tom I's powerful
'fraid ole missis --"
"And besides, if you will I'll show you my sore toe."
Jim was only human -- this attraction was too much for him. He put down
his pail, took the white alley, and bent over the toe with absorbing
interest while the bandage was being unwound. In another moment he was
flying down the street with his pail and a tingling rear, Tom was
whitewashing with vigor, and Aunt Polly was retiring from the field with a
slipper in her hand and triumph in her eye. But Tom's energy did not last.
He began to think of the fun he had planned for this day, and his sorrows
multiplied. Soon the free boys would come tripping along on all sorts of
delicious expeditions, and they would make a world of fun of him for
having to work -- the very thought of it burnt him like fire. He got out
his worldly wealth and examined it -- bits of toys, marbles, and trash;
enough to buy an exchange of WORK, maybe, but not half enough to buy so
much as half an hour of pure freedom. So he returned his straitened means
to his pocket, and gave up the idea of trying to buy the boys. At this
dark and hopeless moment an inspiration burst upon him! Nothing less than
a great, magnificent inspiration.
He took up his brush and went tranquilly to work. Ben Rogers hove in sight
presently -- the very boy, of all boys, whose ridicule he had been
dreading. Ben's gait was the hop-skip-and-jump -- proof enough that his
heart was light and his anticipations high. He was eating an apple, and
giving a long, melodious whoop, at intervals, followed by a deep-toned
ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As he
drew near, he slackened speed, took the middle of the street, leaned far
over to star-board and rounded to ponderously and with laborious pomp and
circumstance -- for he was personating the Big missouri, and considered
himself to be drawing nine feet of water. He was boat and captain and
engine-bells combined, so he had to imagine himself standing on his own
hurricane-deck giving the orders and executing them:
"Stop her, sir! Ting-a-ling-ling!" The headway ran almost out, and he drew
up slowly toward the sidewalk.
"Ship up to back! Ting-a-ling-ling!" His arms straightened and stiffened
down his sides.
"Set her back on the stabboard! Ting-a-ling-ling! Chow! ch-chow-wow!
Chow!" His right hand, meantime, describing stately circles -- for it was
representing a forty-foot wheel.
"Let her go back on the labboard! Ting-a-ling-ling! Chow-ch-chow-chow!"
The left hand began to describe circles.
"Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead on
the stabboard! Stop her! Let your outside turn over slow!
Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! lively now! Come --
out with your spring-line -- what're you about there! Take a turn round
that stump with the bight of it! Stand by that stage, now -- let her go!
Done with the engines, sir! Ting-a-ling-ling!"
"Sh't! s'h't! sh't!" (trying the gauge-cocks).
Tom went on whitewashing -- paid no attention to the steamboat. Ben stared
a moment and then said: "Hi-Yi! you're up a stump, ain't you!"
No answer. Tom surveyed his last touch with the eye of an artist, then he
gave his brush another gentle sweep and surveyed the result, as before.
Ben ranged up alongside of him. Tom's mouth watered for the apple, but he
stuck to his work. Ben said:
"Hello, old chap, you got to work, hey?"
Tom wheeled suddenly and said:
"Why, it's you, Ben! I warn't noticing."
"Say -- I'm going in a-swimming, I am. Don't you wish you could? But of
course you'd druther work -- wouldn't you? Course you would!"
Tom contemplated the boy a bit, and said:
"What do you call work?"
"Why, ain't that work?"
Tom resumed his whitewashing, and answered carelessly:
"Well, maybe it is, and maybe it ain't. All I know, is, it suits Tom
Sawyer."
"Oh come, now, you don't mean to let on that you like it?"
The brush continued to move.
"Like it? Well, I don't see why I oughtn't to like it. Does a boy get a
chance to whitewash a fence every day?"
That put the thing in a new light. Ben stopped nibbling his apple. Tom
swept his brush daintily back and forth -- stepped back to note the effect
-- added a touch here and there -- criticised the effect again -- Ben
watching every move and getting more and more interested, more and more
absorbed. Presently he said:
"Say, Tom, let me whitewash a little."
Tom considered, was about to consent; but he altered his mind:
"No -- no -- I reckon it wouldn't hardly do, Ben. You see, Aunt Polly's
awful particular about this fence -- right here on the street, you know --
but if it was the back fence I wouldn't mind and she wouldn't. Yes, she's
awful particular about this fence; it's got to be done very careful; I
reckon there ain't one boy in a thousand, maybe two thousand, that can do
it the way it's got to be done."
"No -- is that so? Oh come, now -- lemme just try. Only just a little --
I'd let you, if you was me, Tom."
"Ben, I'd like to, honest injun; but Aunt Polly -- well, Jim wanted to do
it, but she wouldn't let him; Sid wanted to do it, and she wouldn't let
Sid. Now don't you see how I'm fixed? If you was to tackle this fence and
anything was to happen to it --"
"Oh, shucks, I'll be just as careful. Now lemme try. Say -- I'll give you
the core of my apple."
"Well, here -- No, Ben, now don't. I'm afeard --"
"I'll give you all of it!"
Tom gave up the brush with reluctance in his face, but alacrity in his
heart. And while the late steamer Big Missouri worked and sweated in the
sun, the retired artist sat on a barrel in the shade close by, dangled his
legs, munched his apple, and planned the slaughter of more innocents.
There was no lack of material; boys happened along every little while;
they came to jeer, but remained to whitewash. By the time Ben was fagged
out, Tom had traded the next chance to Billy Fisher for a kite, in good
repair; and when he played out, Johnny Miller bought in for a dead rat and
a string to swing it with -- and so on, and so on, hour after hour. And
when the middle of the afternoon came, from being a poor poverty-stricken
boy in the morning, Tom was literally rolling in wealth. He had besides
the things before mentioned, twelve marbles, part of a jews-harp, a piece
of blue bottle-glass to look through, a spool cannon, a key that wouldn't
unlock anything, a fragment of chalk, a glass stopper of a decanter, a tin
soldier, a couple of tadpoles, six fire-crackers, a kitten with only one
eye, a brass doorknob, a dog-collar -- but no dog -- the handle of a
knife, four pieces of orange-peel, and a dilapidated old window sash.
He had had a nice, good, idle time all the while -- plenty of company --
and the fence had three coats of whitewash on it! If he hadn't run out of
whitewash he would have bankrupted every boy in the village.
Tom said to himself that it was not such a hollow world, after all. He had
discovered a great law of human action, without knowing it -- namely, that
in order to make a man or a boy covet a thing, it is only necessary to
make the thing difficult to attain. If he had been a great and wise
philosopher, like the writer of this book, he would now have comprehended
that Work consists of whatever a body is obliged to do, and that Play
consists of whatever a body is not obliged to do. And this would help him
to understand why constructing artificial flowers or performing on a
tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only
amusement. There are wealthy gentlemen in England who drive four-horse
passenger-coaches twenty or thirty miles on a daily line, in the summer,
because the privilege costs them considerable money; but if they were
offered wages for the service, that would turn it into work and then they
would resign.
The boy mused awhile over the substantial change which had taken place in
his worldly circumstances, and then wended toward headquarters to report.
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